The Second Year of TLAL

In case you missed Part I of this post, please rewind to the first portion of TLAL history.

The second year is still when things were brand new, 2006 was full of fresh newness and peach fuzz of a greenhorn rookie. I had the luck of living in a house next to a house that could put on shows, which was incorrectly called Flint Street House. Life those days revolved around simple things, biking around, hanging with friends, doing stuff with music, and I had the unfortunate predicament of becoming a 8-5er, so I was the boring one of the batch because I couldn’t party that much… but that first IT job out of college in 2005 was the seed money that started and grew the label. Anyhow, started throwing some shows for bands I liked and had the luck of book I Object! along with a handful of other bands (including tight friends Magrudergrind who took me on a few day tour down to This Is For You Fest with them).

I Object! had a super cool veggie fueled decommissioned ambulance they drove around and I thought I was lucky to not be stuck in the vehicle that smelled of french fries. I Object! wasn’t signed to Alternative Tentacles yet but had adopted a similar touring pattern as Magrudergrind… tour as much as possible and also go to the ends of the earth with your music because DIY friends in places like SE Asia for instance, are so happy to have music come through to see. I became friends with IO and they asked me to do a split record for Macedonian band Forever Positively Obsessed (FxPxOx) with Ryan from the IO’s label and my newer friend Josh from Dead Tank. I became friends online with FxPxOx who tried to tour the US but couldn’t get over here due to the government there not allowing them over. The record is awesome and special, the one thing I was a little bummed on is the red/yellow copies were supposed to be one color on one side and another color on the other but they just look like a haze around the center of one color and the other outside of it.

After the IO/FPO jam I had been talking to a band called ARM from California about doing a record and then all of a sudden it became a split with one of my favorite labels, 625 Thrashcore. I wasn’t very familiar with Final Draft at the time (sometimes listed as FinalDraft) but compared to Apathetic Ronald McDonald’s weirdo off-the-wall spazz punk, I think the heavy nature of Final Draft ended up being the stronger portion of the record for my personal tastes. Working with 625 is a bit different in a few aspects but also nice in some others. Max has an artguy who gets things done and that record’s layout looks rad. The other side of that is the price of getting an artguy to do things. TLAL has had and continues to have a good history of doing layouts myself, and maybe I should either get better (although I’m self taught to keep the prices of my records down, so I basically do layouts for free) or hire a graphic designer myself. Any way around it, it was amazing to work and communicate with Max Ward aka Hirax Max aka Max from Spazz aka Max 625. In 2015 I’m reflecting on it and I’d do those splits with 625 again and again and again. In those days I had free reign to do trades and Max had Ebullition be his distributor so I traded them away and sold them direct and built up my distro hardcore with those.

At some point I formed a friendship with two people from New England… Will Toftness from CT and Paul Sunderland from Cape Cod area. These two guys were like if I had a formal business and had a board of directors. I’d add Ralph from Haunted Hotel in NY in that too, but that doesn’t related to this story. Paul and I tossed around an idea to do a skate comp tape. Paul magically had some cool artwork and I jumped on it to ask bands and I knew that Will is pretty active with skating so I asked him to give me some skateboarding sounds for the tape and that is what you hear opening and closing the tape.

Here I am with Sandro from RSR and Paul at This Is For You Fest and below that is Will with a TLAL sticker on his bass:

Paul nerded out and got Killed in Action on the tape, I got my friends from Shitstorm (Ricky pops up multiple times in TLAL history, but he plays drums on the Temper track, and apparently this kid who sings, this was his first time singing on anything ever), Street Sharks are friends from my town (one went on to the Sorry State Records band Whatever Brains who just broke up), I was approached by Indonesian band Makhlok Perosak and they ended up on there, homies ANS (Annihilate New School) of course made the cut as they are a great skate band and all of them pop up throughout TLAL and Raleigh punk history here and there, Nicktape gave me some Bail Out! songs (Nick is now in Coke Bust and a number of other bands), Concrete Evidence who I am totally spacing on who that is.. I want to say it was a band with Dub from Shitstorm in it, Common Enemy when Pat from Backslider was in the band, Badeatinghabits who had Dan Rossiter who did the Rhino Charge artwork and went on do keep doing awesome artwork, and finally one last band from Raleigh called Media Circus. Wow I guess I gathered all but KIA on this one. Paul got the infinitely long j-card printed for these and we got the tapes printed up for too much money in the US because neither of us wanted to give our SSN to get them made in Canada. Very cool tape, wonder when volune II will come out.

Nick from Bail Out! Skateboard action:

It would make sense to do a skate LP after a skate tape right? Right. Ended up putting a four way split LP together called Four Bands to Drain Your Pool LP featuring Badeatinghabits, ANS, NoComply, and Rat Byte. All homies bands and I think this is the first time I had talked to Justin from NoComply who stay a TLAL major supporter and bandmate. I feel like this also relates back a lot to This Is For You Fest because almost all these bands played the fest. Funny story I remember is how limited the red copies were and then ANS came through and played Raleigh and almost left a whole box of the red copies in the middle of the road.

This is for You (TIFY) Fest, there is Paul from Give Praise Records and Ryan from I Object:

Justin pops up again and so does Max Ward. This is my second 625 co-release of XBRAINIAX and NoComply. Solid release. I believe there was some major controversy with this release in the fact that somehow some weird information got snuck into the layout by the person doing the layout. I don’t really want to stir the pot here, it was a pretty juvenile thing and was overlooked in printing the record up. I have little to say on this one, was a great jam.. very interesting matchup of bands. I guess the 625 releases I didn’t touch as much because I was mainly just tossing in money and the pressing and art was handled. Glad I did this record though, its so good.

Last of 2006 was the Terminal Youth LP. I was low on funds and got this screenprinted promo for the band. I was familiar with the band previously because I knew their split from Moo Cow Records. When I tossed this into the CD player I was 100% expecting to say no and when I heard this I knew I had to say yes yes yes. Amazing Boston hardcore LP (the band went on to do Boston Strangler, Brain Killer, and Chain Rank to give you an idea). I so amped on this but so low on funds but was able to get Give Praise and De Rok to toss in. You know I should have done this myself because this was the first record I did that I sold out instantly of. So the pressing was supposed to be 400 black and 100 on actual metallic silver but guess what going through a new record pressing GZ broker gets you… “oops we didn’t communicate well enough with the Czech plant so there are no metallic silver vinyl copies”. So major disappointment there but the spot color metallic silver on the covers look great and we did some 11″x17″ photocopied inserts to save money. I could not have been more happy and proud of this jam. Funny story, Ryan from the band really sold me on doing a show for them in Raleigh. I was very excited. He told me he’d have a bus of Boston punks roll down with them and it would be a great show. It was a great show because not only did Seasick play, but Blank Stare ended up playing too if I’m not mistaken. It was a terrible show because not many Raleigh punks or much of anyone else showed up at all. Will Butler show booking failure for a band where this was supposed to be their big record release show in my hometown. You can tell I’m bitter about that even today. I got this cool full color Matt Gauck artwork for the flier too:

That pretty much sums up year two of TLAL. Definitely a great year of music and really making connections and staying in touch with some of my favorite people who would continue to make my label become an organic thing of supporting friends bands and putting out new bands that would become friends.

Go on to part III.

The Early Early Years:

August marks ten years of running my label. I honestly don’t know how to start this post because as I’ve said time and time again, DIY has been a huge part of my life as soon as I discovered punk at the ripe age of 14. I loved skateboarding, I loved computers, I loved punk music and everything else didn’t matter as much. I got involved directly with DIY when I was 16 and I started a band with some of my friends I skated with, here is me on bass at a show I booked fifteen years ago:

It took trial and error to establish ideas and ideals of DIY back in those days growing up in Winston-Salem. My band first tried recording ourselves but then realized we should pay and get legitimate recordings. We put out our own CDs, did our own merch, I did the website (which I resurrected from the Wayback Machine here: http://dbm.tolivealie.com/), booked our own shows, etc. During those days, the band was what mattered and people around town started to seem to be on board with us. We lost Philip on drums which was a huge bummer to me because he had been a childhood friend but I liked Phil on drums and near the end we lost Chris on vocals and our friend Will sang for one show. The band dissolved when we went off to college and that was the end of that era for me and for us.

The First Year of TLAL:

I became infatuated with vinyl when I was around that age and had a good slew of records but then I went off to college and DIY dripped away. I went to Virginia Tech and the house that had shows called the Solar Haus, had a show where people fell through their window a year before I was in town and the whole place got shut down so I tried to find punk and skateboarding where I could there but ultimately failed. I transferred to NC State and found DIY in the form of emotional hardcore locally and started a distro selling both punk records (Spazz, Charles Bronson, etc) and for the lack of a better word… screamo records (Orchid, Neil Perry, etc) under the name of Stronghold Distro. That connection with screamo lead me to meet the guys in Shitstorm throught their screamo band Tunes For Bears to Dance to. Those guys tried talking me into putting out a Tunes EP if I remember correctly and I wasn’t that sold on the idea but then there was talk of them starting a label and putting out a split between Godstomper and Magrudergrind which I had a major interest in. I remember talking to Avi shortly after I met him (went to see them at Charm City Art Space) and he got me jazzed on how it would help my distro to put out a record and trade records, I did and he was right. Actually that release I hardly traded it sold super well and went onto a second pressing. The label I put that out with showed me the ropes of record pressing and I think a lot of the early ethos I learned from these first releases and communicating with peers in bands and labels.

From there I put out the Rhino Charge EP on my own with some help here and there from other label friends (Paul from Give Praise helped me get the covers printed up at his printing shop). I couldn’t believe it but I think between some Internet hype surrounding Rhino Charge, them getting the cover of the last issue of HeartttaCk, and the fact that Ebullition helped unload more than half of them onto the world… the first pressing sold out pretty quickly. Second pressing came out right around when the band broke up but it sold through steadily. I remember being so new to it that I asked my mom her advice and she told me to not put anything more into it that I wouldn’t mind never seeing again which was good advice. Honestly, looking back on it… Ebullition (the combined efforts of Kent and Lisa) had a profound affect on my label sustaining itself through the early years and I can’t thank those two enough.

The last release of first year of my label was the Magrudergrind discography CD called 62 Trax of Thrash. I had no idea what to expect out of a CD release but we did our best to pack as much music into one place as we could and although Magrudergrind had only been a band for three years, they had a stockpile of songs and releases. This release was a three way co-release and I think we ended up doing two runs of 1000 so there are 2k of those beasts floating around. Putting out CDs is a different story but they are oh so swell to trade overseas when you can break them out of the jewel cases and ship them cheaply. Magrudergrind had always been super active and this was around the time when they started to go through some guitarist changes I believe but the guys were actively touring and had done some European/SE Asian trips. I never wanted to go out of my way to do a CD ever but my outlook has always been to put out releases that I myself would be stoked to own and the prospect of having all the early Mgrind stuff in one place was a major interest. I’m not sure this CD put me out there as a new label as much as the first two but it definitely got the name overseas and also into the hands of people where vinyl isn’t as accessible to them.

Honestly the first year was a whirlwind. I was so amped on everything and I was so into making cool friend editions, and test press covers, and putting weird little inserts into each record. I drew on every mailer and usually taped weird pictures on them. It was a special time where everything was so new and exciting and every order was someone I wanted to communicate with and share with. Today is no different but the time I have to do those things is far more limited. Also at this time I lived at 1306 Flint Place, which was a super low rent house near NC State and people were always around and wanting to help out and be involved. Next door at 1304 Flint, they had shows pretty regularly but I will leave that for part 2 as that is further down the timeline.

Skip on to part II of the TLAL saga.